Players starring Gina Rodriguez release updates, cast, and more

From "FanSided" : "Players starring Gina Rodriguez release updates, cast, and more"

A whole host of new Netflix films are on the streaming service’s 2023 roster! One of those movies is Players starring Gina Rodriguez.

Director Trish Sie, writer Whit Anderson, producers Ryan Christians, Ross Dinerstein, Marc Platt, and Adam Siegel, as well as executive producers Molly Breeskin, Ross Girard, and Sophia Lin, are all attached to the project. Rodriguez also serves as an executive producer.

Here is all we know about the upcoming production!

Players starring Gina Rodriguez release updates

A release date for the new movie has not been shared yet. All we know is that the film is set to drop sometime in 2023 on Netflix. Hopefully, the streamer won’t make us wait too long because this project has a star-studded cast we’re excited about!

Players starring Gina Rodriguez cast

Jane the Virgin star Gina Rodriguez is staying busy this year! The actress’s new ABC series Not Dead Yet is set to premiere on Feb. 8, 2023. And now, she is leading this new film this year as well.

Netflix viewers are more than likely familiar with Lucifer star Tom Ellis, who also takes on a lead role in the production. We’ve shared the cast list below:

  • Gina Rodriguez as Mack

  • Damon Wayans Jr. as Adam

  • Tom Ellis as Nick

  • Joel Courtney as Little

  • Liza Koshy as Ashley

  • Augustus Prew as Brannagan

Players starring Gina Rodriguez synopsis

We don’t have a full synopsis yet, but Netflix did share the movie’s logline. We’ve shared it below:

New York sportswriter Mack (Gina Rodriguez) has spent years devising successful hook-up “plays” with best friend Adam (Damon Wayans Jr.) and their crew, but when she unexpectedly falls head-over-heels for one of her targets (Tom Ellis), they all must learn what it takes to go from simply scoring to playing for keeps.

Joel Courtney
37 Movies Like Flipped For You To Watch

From "OtakuKart" : "37 Movies Like Flipped For You To Watch"

Following is a list of 37 movies similar to Flipped that we hope you’ll love.

1. The Kissing Booth

A pretty late bloomer named Elle Evans (Joey King), who has never been kissed, decides to run a kissing booth during her high school’s Spring Carnival. Unexpectedly, she finds herself sharing a kiss with Noah Flynn, the epitome of a bad guy and the object of her secret infatuation (Jacob Elordi).

There is only one minor issue, however: Lee, Joel Courtney’s character, who is her best friend, is the brother of Noah. She cannot date Noah since she is forbidden from dating Lee’s brother under the conditions of their friendship arrangement.

When Elle realizes she must ultimately make a choice, her entire life is turned upside down. She must choose between following the law and her love.

  • Cast: Joey KingJacob Elordi, Molly Ringwald

  • Rating: TV14

  • Genre: Romance, Comedy

  • Where To Watch: Netflix

Joel Courtney
Review: Kevin Williamson’s SICK

No spoilers!

From "Horror Society" : "Review: Kevin Williamson’s SICK"

There’s something about going direct-to-streaming on Peacock that shouts, “we have no faith in this movie!” At the end of the day, Sick isn’t Wonder Woman 2 or Halloween Returns. However, it’s in part brought to you by one of the greatest masterminds in horror – Kevin Williamson, who wrote and produced this feature. Williamson has worked on every single Scream movie as well as I Know What You Did Last Summer and The Faculty. His importance to the horror genre is singlehandedly the only reason I watched this flick with my husband last night. And you know what? It was actually pretty good! Read on to find out why!

Sick is written by Williamson & Katelyn Crabb and directed by John Hyams. It was produced by Williamson, Bill Block and Ben Fast. Cinematography was helmed by Yaron Levy and editing was performed by Andrew Drazek. Gideon Adlon, Bethlehem Million, Dylan Sprayberry and Joel Courtney star in this slasher-thriller. Set just as the COVID pandemic is kicking off, two college friends head to a remote cabin (mansion?) in the woods to wait out the disease in quarantine. Armed with nothing but a blender, a face mask and a pesky sort of ex-boyfriend, the girls soon find themselves as unwilling prey in a masked man’s terrifying game. Cabin Fever meets The Strangers in this surprising gem.

The biggest reason why I enjoyed Sick is it cuts through the stereotypical bullshit and gets right to the point very quickly. This is not a movie where you wait 45 minutes for the action to begin. This is not a movie where the suspense is steadily building throughout the first few acts. Sick brings its characters to the central location and then all Hell breaks loose before the first night can come to a close. I actually had to pause my viewing at the 45-minute mark because I was sure it flew by and was close to ending. Nope, I still had another half hour of cat and mouse games where the odds are stacked against the major protagonists. I was happy that I wasn’t jerked around for an hour and a half only to come across an “I saw that coming” or lackluster ending. Investing my time in this story was well worth it.

I also enjoyed the major homages to Scream and Friday the 13th. Some of the work that Kevin Williamson is known for bled into this picture, but it didn’t feel like copied material. Sick is also surprisingly bloody and comes with a modest body count that you’re not going to expect. Hello, Mr. Lyons. Sure, it’s a little cookie cutter at times, another one of Williamson’s trademarks if you look at his television history, but when it’s time to move the story along this one goes balls to the walls. Couple it with awesome production quality and a very talented cast, and Sick is one of my favorite films of the year so far. I mean, sure we’re only 18 days in… but still! I wish more people were talking about it because it’s definitely a film that deserves to be seen.

Sick is a twisted thriller and dramatic splatterfest, chopped up and administered with real life health hazard horror. Well done. Final Score: 8 out of 10.

Joel Courtney
‘Jesus Revolution’: Faith-based film ‘inspirational,’ ‘believable’

From "The Baptist Paper" : "‘Jesus Revolution’: Faith-based film ‘inspirational,’ ‘believable’"

A hippie-led revival that graced the cover of Time magazine in 1971 is the subject of an upcoming faith-based film that has the goal of sparking another movement of spiritual renewal. 

“Jesus Revolution” (PG) tells the story of the Jesus movement with a focus on three individuals who helped lead it: California pastor Chuck Smith, hippie evangelist Lonnie Frisbee and a young Greg Laurie. It stars Kelsey Grammer (“Cheers,” “Frasier”) as Smith, Jonathan Roumie (“The Chosen”) as Frisbee, Joel Courtney as Laurie, Kimberly Williams-Paisley (“Father of the Bride”) as Laurie’s mother and Anna Grace Barlow as Laurie’s girlfriend and future wife Cathe. 

It opens in theaters Feb. 24 and was produced by the same company — Kingdom Story — that made “I Can Only Imagine,” “I Still Believe” and “American Underdog,” among others.

Producer Andrew Erwin said the film’s themes — the search for truth and the meaning of life — are timeless, even if the events took place five decades ago.

‘The right questions’

“Every person in the country needs to see this film,” Erwin told The Baptist Paper.

“These were kids asking the right questions. They were seeking the right thing — they wanted the truth. They wanted meaning. They wanted love.” 

Many of the hippies, though, were searching for truth in the wrong places, Erwin noted.

The film opens in late-1960s California as Laurie and his friends embrace the love-and-peace culture of the era and its experimentation with psychedelic drugs. But this group of hippies soon meets another hippie, Frisbee, who rejects drugs and encourages his generation to follow Christ. 

Frisbee’s unique blend of gospel and hippie culture receives a boost when the straight-laced Chuck Smith welcomes him into his church in a controversial move that leads a few members to bolt. 

“There is an entire generation right now searching for God,” Frisbee tells Smith in the film. “The trouble is, your people reject them.”

Soon, hundreds of hippie Christians are attending Smith’s church, which grows so fast he sets up an outdoor tent. Smith’s view is simple: Frisbee may be barefooted, but he’s delivering the gospel to a new generation that desperately needs it. 

In the film’s final acts, Smith and Frisbee clash over the direction of the church, and Laurie launches his own ministry.

“Jesus Revolution” is one of the best inspirational movies, with a solid script, a music score that tugs at the emotions and an all-star cast that makes every scene believable. Roumie is so good, it doesn’t take long to forget he portrays Jesus in “The Chosen.”

Power of unity

The film includes multiple positive messages.

It reminds today’s church that evangelism is often uncomfortable but will — with patience and time — bear fruit. Methods may change, though the gospel does not. In one powerful scene, we watch Smith wash the feet of the hippies in a display of humility. 

It reminds us of another universal truth: People are always searching for truth yet often in the wrong places.

The film also includes solid messages about the power of unity (the church flourishes when Smith and Frisbee work together) and the power of love (Smith’s embrace of hippies contrasts with the message they typically hear). 

“They were told that drugs and LSD were going to be what unlocked their mind to truth,” producer Andrew Erwin said of the hippie movement. “But on the back of that, these groups of hippies had this legitimate spiritual awakening, and then it just swept the country. That’s where the term ‘Jesus freaks’ came from. It’s a fantastic story. It’s powerful.”

Roumie wants the film to spark another spiritual awakening: When people realize “God is their identity, everything falls into place.” 

The film is free of coarse language, sexuality and violence. It does include thematic elements, including one scene showing the aftermath of drug use (we see people hallucinate and one woman frothing from the mouth, though it’s brief). 

Joel Courtney
Sick (2023) Review: Kevin Williamson’s COVID Slasher Delivers Heart-Stopping Tension

No spoliers!

From "High on Films" : "Sick (2023) Review: Kevin Williamson’s COVID Slasher Delivers Heart-Stopping Tension"

The irony of a slasher film set around a lakeside cabin and being released on Friday the 13th should not be lost on horror fans. Even though Sick, the latest outing from horror icon Kevin Williamson, does not feature the murderous hockey mask-wearing son of Mrs. Voorhees, it is still an adrenaline-filled, gutsy, and brilliantly-paced flick that offers enough caustic wit and slasher thrills that fans have come to expect from Williamson.

Set amidst the COVID-19 pandemic and directed by John Hyams (the man behind the underrated Alone (2020)), Sick is another winning entry amidst the slasher revival that began in the preceding decade.

Before the film opens, the opening title cards already ground the narrative in a specific moment in time—April 3, 2020. COVID had evolved from being just an international conspiracy to spreading its tentacles all around the world. In the USA, where the film is set, most states had already imposed stay-at-home orders.

The opening scene of the film follows Tyler (Joel Courtney), an everyday college frat guy, shopping at a supermarket aisle. If one is familiar with Williamson’s slasher book, we know that the film is heading towards an opening kill scene. But preceding the carnage, the script (written jointly by Kevin Williamson and Katelyn Crabb) cleverly grounds itself amidst the paranoia prevalent during the early days of the pandemic.

Whether it be Tyler’s rush to pick up the last daily essentials at the supermarket or sneering suspiciously at a person coughing behind him at the billing queue—Williamson holds up a somewhat satirical mirror to our fears regarding an unknown virus. Just as he is shopping, Tyler receives a text message from an unknown number (a wink for the Scream fans) that asks, “Wanna party?” While Tyler is initially excited by the prospect promised in the message, his enthusiasm soon dissipates when his anonymous messenger becomes more stalker-like.

A nervous Tyler hurriedly heads back to his dorm room, where a surprise awaits him. 

Joel Courtney
‘Jesus Revolution’ Film’s Slogan Says When You Open Your Heart, There’s Room for Everyone | OFFICIAL TRAILER

From "EurWeb" : "‘Jesus Revolution’ Film’s Slogan Says When You Open Your Heart, There’s Room for Everyone | OFFICIAL TRAILER"

*The official trailer for “Jesus Revolution” officially dropped, starring Joel Courtney (“The Kissing Booth”), Jonathan Roumie (“The Chosen”), Kimberly Williams-Paisley (“Father of the Bride”), Anna Grace Barlow (“The Goldbergs”), and Kelsey Grammer (“Frasier”).

The film, directed by Jon Erwin and Brent McCorkle, with a screenplay by Jon Gunn and Jon Erwin, portrays the true story of a divided moment in time when people came together by checking their preconceptions at the door – and developed a movement by listening to each other and looking beyond their own beliefs. This revival of radical and newfound love led to what “Time” Magazine, in 1971, dubbed a Jesus Revolution.

In the 1970s, young Greg Laurie (Joel Courtney) is searching for all the right things in all the wrong places: until he meets Lonnie Frisbee (Jonathan Roumie), a charismatic hippie-street-preacher. Together with Pastor Chuck Smith (Kelsey Grammer), they open the doors of Smith’s languishing church to an unexpected revival of a radical and newfound love of Jesus Christ and His teachings.

For a special national preview showing on February 22, thousands of people across America can experience this profound true story of revival on the same day, at the same time by requesting free tickets while supplies last at JesusRevolution.Movie.

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Joel Courtney
'Sick' Production's Design Was Inspired by 'World War Z' and 'A Quiet Place'

From SyFy : "'Sick' Production's Design Was Inspired by 'World War Z' and 'A Quiet Place'"

It's crazy to think how we're about to hit the 3-year anniversary of when the novel coronavirus completely changed our world forever. Those early months of lockdown — the fear, the uncertainty, the panicky hoarding of toilet paper — felt like humanity's number was finally up; that the fabled end of days had finally arrived on our collective doorstep, four horsemen in tow.

Most of us would probably like to have the memory of that existential dread wiped from our brains, but production designer Jenny Möller (Happily) found herself relying on it for Kevin Williamson's pandemic-inspired slasher flick, SICK (exclusively streaming on Peacock right now).

"At the time, we didn't know anything about the disease and we didn't know how it was transmitted," she explains over a Zoom call with SYFY WIRE. "We were all wearing masks and standing five feet apart and wiping absolutely everything down."

Joel Courtney